Texto — Text
Libros de artista / Artist books
Aterrizarás donde despegabas siempre / You will land where you took off always con/with Irene de Andrés, Pablo Guardiola La Impresora, 2017
Caribbean Cautionary Tales Vol. 1 con/with Ren Ellis Neyra, Nicole Smythe-Johnson - La Impresora, 2016
Escritos
Español
Español
Archivo Santaliz: estrategias pa bregar con el archivo
Claridad, 2021
Las Réplicas del Desastre: Puerto Rico Antes y Después del Huracán Maria
Editado por Yarimar Bonilla y Marisol LeBrón, Haymarket Books, 2019
Película acompañante
Asimilar y Destruir
con Néstor Delgado Morales, Categoría 5
Supera Aquello: El desgaste del placer
Reseña de La Emergencia, Ahora la turba
En su salsa
Crónica del Puerto Rico Investment Summit para Claridad, 2016
Claridad, 2021
Las Réplicas del Desastre: Puerto Rico Antes y Después del Huracán Maria
Editado por Yarimar Bonilla y Marisol LeBrón, Haymarket Books, 2019
Película acompañante
Asimilar y Destruir
con Néstor Delgado Morales, Categoría 5
Supera Aquello: El desgaste del placer
Reseña de La Emergencia, Ahora la turba
En su salsa
Crónica del Puerto Rico Investment Summit para Claridad, 2016
Writing
English
English
On the complexities of Caribbean solidarity
with Marina Reyes Franco for the Goteborg International Biennial for Contemporary Art, 2021
Assimilate & Destroy
with Néstor Delgado Morales, Categoría 5
Community as the basic unit of survival
Creative Futures, Ford Foundation, 2021
Incidents of Travel: Cabo Rojo
with Marina Reyes Franco, Kadist, 2020
Aftershocks of Disaster; Puerto Rico Before and After the Storm
Edited by Yarimar Bonilla and Marisol LeBrón, Haymarket Books, 2019
Accompanying film
with Marina Reyes Franco for the Goteborg International Biennial for Contemporary Art, 2021
Assimilate & Destroy
with Néstor Delgado Morales, Categoría 5
Community as the basic unit of survival
Creative Futures, Ford Foundation, 2021
Incidents of Travel: Cabo Rojo
with Marina Reyes Franco, Kadist, 2020
Aftershocks of Disaster; Puerto Rico Before and After the Storm
Edited by Yarimar Bonilla and Marisol LeBrón, Haymarket Books, 2019
Accompanying film
Sobre mi trabajo
Español
Español
Sobrevivir en los fracasos y las escrituras cimarronas de lo cuir
Reseña de Celaje por Mabel Rodríguez Centeno publicada por Beta-Local, ICA y Philadelphia Contemporary, 2021
Después de la bienal
XIII bienal FEMSA, editado por Nicolás Pradilla, México, 2019
Puerta de Tierra: Paraíso Tropical
Marina Reyes Franco, Terremoto, 2018
Conversación con Las Nietas de Nonó y Sofía Gallisá Muriente
Terremoto, 2016
Volverás (de los 1950) irreconocible
Laura Juliana Torres Rodríguez, 80 Grados, 2015
Herramienta Generosa Vol. 2
Fragmento de Buscando la Sombra, Beta-Local, 2015
Reseña de Celaje por Mabel Rodríguez Centeno publicada por Beta-Local, ICA y Philadelphia Contemporary, 2021
Después de la bienal
XIII bienal FEMSA, editado por Nicolás Pradilla, México, 2019
Puerta de Tierra: Paraíso Tropical
Marina Reyes Franco, Terremoto, 2018
Conversación con Las Nietas de Nonó y Sofía Gallisá Muriente
Terremoto, 2016
Volverás (de los 1950) irreconocible
Laura Juliana Torres Rodríguez, 80 Grados, 2015
Herramienta Generosa Vol. 2
Fragmento de Buscando la Sombra, Beta-Local, 2015
About my work
English
English
Best Art of 2022 - The New York Times
Puerto Ricans Expand the Scope of ‘American Art’ at the Whitney - Holland Cotter Critic’s Pick in The New York Times, 2022
Tropical is Political on The New Yorker, featuring The Envoy, 2022
Curator Dessane López Cassell interviewed me about Celaje on occasion of the screening at Metrograph in New York, 2022
At Third Horizon Film Festival, Caribbean Films Reflect on Layered Pasts, Presents, Futures
review by Juan Barquin for Hyperallergic featuring Celaje, 2021
Surviving between failure and queer/cuir marron writings
Cloudscape review by Mabel Rodríguez Centeno published by Beta-Local, ICA and Philadelphia Contemporary, 2021
The Whitney Biennial Called, How Will They Answer?
Siddhartha Mitter, New York Times, 2019
Atlas San Juan: Tropical Depression
Marina Reyes Franco, Art in America, 2018
Puerta de Tierra, Tropical Paradise
Marina Reyes Franco, Terremoto, 2018
Archipelagic Performance #1 (v.1)
Arnaldo Rodríguez Bagué, En el Matorral
Mundos Alternos: A Skylab for Speculative Curation - Robb Hernández, 2017. Published in Altermundos: Latin@ Speculative Literature, Film, and Popular Culture
Relational Undercurrents: Contemporary Art of the Caribbean Archipelago
Tatiana Flores & Michelle Stephens, 2017
Conversation with Las Nietas de Nonó and Sofía Gallisá Muriente
Terremoto, 2016
“Art after Occupy – climate justice, BDS and beyond”
Yates McKee, Waging NonViolence, 2014
Puerto Ricans Expand the Scope of ‘American Art’ at the Whitney - Holland Cotter Critic’s Pick in The New York Times, 2022
Tropical is Political on The New Yorker, featuring The Envoy, 2022
Curator Dessane López Cassell interviewed me about Celaje on occasion of the screening at Metrograph in New York, 2022
At Third Horizon Film Festival, Caribbean Films Reflect on Layered Pasts, Presents, Futures
review by Juan Barquin for Hyperallergic featuring Celaje, 2021
Surviving between failure and queer/cuir marron writings
Cloudscape review by Mabel Rodríguez Centeno published by Beta-Local, ICA and Philadelphia Contemporary, 2021
The Whitney Biennial Called, How Will They Answer?
Siddhartha Mitter, New York Times, 2019
Atlas San Juan: Tropical Depression
Marina Reyes Franco, Art in America, 2018
Puerta de Tierra, Tropical Paradise
Marina Reyes Franco, Terremoto, 2018
Archipelagic Performance #1 (v.1)
Arnaldo Rodríguez Bagué, En el Matorral
Mundos Alternos: A Skylab for Speculative Curation - Robb Hernández, 2017. Published in Altermundos: Latin@ Speculative Literature, Film, and Popular Culture
Relational Undercurrents: Contemporary Art of the Caribbean Archipelago
Tatiana Flores & Michelle Stephens, 2017
Conversation with Las Nietas de Nonó and Sofía Gallisá Muriente
Terremoto, 2016
“Art after Occupy – climate justice, BDS and beyond”
Yates McKee, Waging NonViolence, 2014